Row, row, row your boat Gently down the stream, Merrily merrily, merrily, merrily Life is but a dream Row, row, row your boat Gently down the brook, If you catch a little fish Please let it off the hook Row, row, row your boat Gently down the creek, If you see a little mouse Listen to it squeak Row, row, row your boat Gently down the river, If the river gets you wet Don't forget to shiver Row, row, row the boat Gently to the shore, If you see a lyin' bear Don't forget to roar Row, row, row your boat Watch the water flow, Rowing's fun but rowing's hard That is what I know Row, row, row your boat Gently down the lake, Don't stand up and rock the boat That's a big mistake!
Row, row, row your boat See the water run, Rowing here and rowing there Oh we're almost done Row, row, row your boat Gently down the stream, Ha ha fooled ya all I'm a submarine Row, row, row your boat Gently down the stream, Merrily merrily, merrily, merrily Life is but a dream Repeat chorus.
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- gently down the stream!
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Please update your billing details here. Please update your billing information. As its predecessor, 's Near-Life Experience , a number of different musicians joined Thalia Zedek and Chris Brokaw to fill the void caused by the departure of drummer Arthur Johnson and bassist Sean O'Brien, the band's original rhythm section. Winston Bramen, who would later work with the Thalia Zedek Band and with Chris Brokaw in Consonant , played bass, whilst Daniel Coughlin was in charge of percussion and drums.
Coughlin would also go on to perform with Zedek throughout her entire solo career.
Gently Down the Stream - The Public Theater
The name of the album can be seen as either a reference to the title of Su Friedrich 's short film Gently Down the Stream or an allusion to the lyrics to English language nursery rhyme " Row, Row, Row Your Boat ". Upon its release, CMJ New Music Monthly called Gently, Down the Stream "a king-size record from a colossal band; those who like hard rock and have never heard Come are missing out,"  whilst Musician Magazine began its praiseful review of the album with a rhetorical question lamenting the fact that Come was clearly fated to remain in the underground : "Have you ever noticed how the music industry regularly champions its disposable waste but can't seem to hold faith in the staying power of its true talent?
Speak magazine commented that "Come's fourth album doesn't meander gently down any stream.
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If anything, it's more like Whitewater rafting through a thundering maelstrom of guitars that empty occasionally into shallow pools,"  going on to describe its songs as "12 gorgeous mini-epics [that] are by turns spooky and sleazy. From Wikipedia, the free encyclopedia. Willamette Week.